[Marxism] As Woody Turns 100, We Protest Too Little
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Sun Aug 19 12:35:36 MDT 2012
NY Times August 18, 2012
As Woody Turns 100, We Protest Too Little
By LAWRENCE DOWNES
In October the Kennedy Center will throw a centennial party for Woody
Guthrie, a star-studded concert with tickets topping out at $175. It
will be America’s ultimate tribute to a beloved troubadour. “Through his
unique music, words and style,” the Kennedy Center says, “Guthrie was
able to bring attention and understanding to the critical issues of his
Poor Woody. The life and music of America’s great hobo prophet, its Dust
Bowl balladeer, boiled down to this: He brought attention to the
critical issues of his day.
Maybe that’s what happens to dissidents who are dead long enough. They
are reborn for folk tales and children’s books and PBS pledge drives.
They become safe enough for the Postal Service. “For a man who fought
all his life against being respectable, this comes as a stunning
defeat,” Arlo Guthrie said in 1998, when his father was put on a 32-cent
Will Kaufman’s book “Woody Guthrie, American Radical” tried to set the
record straight last year. The sentimental softening and warping of
Woody’s reputation began early, even as he was dying, in the 1960s. But
under the saintly folk hero has always been an angry vigilante — a
fascist-hating, Communist-sympathizing rabble-rouser who liked to
eviscerate his targets, sometimes with violent imagery. He was a man of
many contradictions, but he was always against the rich and on the side
of the oppressed.
He wrote hard-hitting songs for hard-hit people. Most have never heard
them. Many were never set to music, and only a relative handful were
ever recorded. The most famous, “This Land Is Your Land,” is too often
truncated and misinterpreted. America has a lot of warmth for Woody, but
maybe warmth means the pan is off the flame.
Woody’s musical heirs tried their best. But as a protest leader, Bob
Dylan is done. Arlo is a Republican; he endorsed Ron Paul in 2008. Pete
Seeger is still around, bless him. At President Obama’s inauguration he
sang the neglected verses of “This Land Is Your Land,” condemning
private property, with Bruce Springsteen and a large choir. But Pete is
very old. Bruce writes brilliant stuff, but are people paying attention?
None of his darkly challenging populist songs have been able to keep
Gov. Chris Christie of New Jersey — a Republican who likes to demonize
labor unions — from being his near-obsessive fan.
It’s hard to be a troubadour with dangerous ideas if people refuse to be
challenged or offended by them. Mitt Romney’s running mate, Paul Ryan,
is a hard-baked right-winger who wants to bleed the government so it has
no money to help people but all it needs to wage war. Yet he says one of
his favorite bands is Rage Against the Machine, whose members gave
inspiration to the Occupy Wall Street movement and organized resistance
to the anti-immigrant freak-out in Arizona. This boggles the mind.
Not to sound too morose: Billy Bragg, the British folk-punk-rock singer
and Woody Guthrie devotee who sang his own verse of “The Internationale”
at a 90th birthday party for Mr. Seeger in 2009, says that creative
dissent never died, it just moved on. It’s there in hip-hop and other
musical forms; it’s on Facebook and Twitter; it’s people banging pots
and pans in the street. And while American folk-protest singers may
occupy the tiniest niche on public radio today, people power is still
toppling tyrants, mostly overseas.
Some old-schoolers and young artists are rising to the occasion here at
home, for the new era of greedy bankers, suffering migrants and
dispossessed homeowners. The Woody Guthrie Archives has been helping
musicians turn a huge trove of his unpublished, unsung words into music.
The singer-songwriter Jonatha Brooke released an album in 2008, called
“The Works,” that is made up almost entirely of Woody’s lyrics.
Other musicians are making their own statements. Rick Good, a banjo
player from Ohio, has a topical YouTube video that I like. “It’s not for
sale,” he sings, referring to the White House, while grandchildren pass
in front of the camera to blast the fat cats with hand-drawn placards,
sort of like a Bob Dylan video from long, long ago. Mr. Good won’t be at
the Kennedy Center hootenanny, but a few like-minded musicians will be
there, including the guitarist Ry Cooder, who has reached an angry-Woody
phase in his own long career. His most recent songs are pure politics,
torn fresh from the headlines, with titles like “No Banker Left Behind,”
“Guantánamo” and “The Wall Street Part of Town.”
His latest record, “Election Special,” comes out this month. It begins
with “Mutt Romney Blues,” sung from the point of view of the frightened,
roof-strapped dog, who stands in for all of us. “Ol’, Master Boss, cut
me down, I won’t spread that story ’round ... And the mean things that
you’re trying to do, I won’t blow no whistle on you.”
Mr. Cooder admits that some of the songs are bitter. But someone has to
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